A selection of recent conference talks and keynotes on digital, culture, museums and archives.
The Future of Archives / Archives of the Future
(VALA, Melbourne, 2024)
The Brave New Future of the Recent Past (audio recording)
(SXSW, Austin, USA, 2024)
The Machines Looking Back at Us (video)
(Future of Art Culture & Technology, Melbourne, 2024)
AI, Machine Learning and Audiovisual Collections at NFSA
(National Digital Forum, Wellington, NZ, 2023)
Building a Conversational Archive at the NFSA
(New Paradigms for Accessing and Curating Audiovisual Collections, Lausanne, 2023)
Designing Playful and Vibrant Places
(Uncharted Territory Festival, Canberra, 2023)
Play and Mixed Reality
(ACT Play Symposium: Canberra as the Laboratory of the Possible, 2023)
Assembly for the Future
(Uncharted Territory Festival, Canberra, 2023)
“Feel the fear and do it anyway” – Emotion and co-design
(Collaborative Practice Salon, ANU, 2023)
Transforming practice “All the GLAMs”
(Future of Arts, Culture & Technology Symposium, Melbourne, 2023)
The Museum Goes Global
(RMIT, Melbourne, 2022)
Future Trends in Culture and Museums
(CM Málaga keynote, Málaga, Spain, 2022)
Reshaping the National Gallery of Australia’s comically large online presence
(AMaGA, Perth, 2022)
(Digital) Trends in Museums and Galleries
(AMaGA Victoria keynote, Melbourne, 2022)
Reflecting on best of GLAM digital
(AMaGA, Canberra, 2021)
AI-enabled GLAMR Practice: The Technical Landscape <- video link
(AI4LAM Webinar, 2021)
Mapping Future Brisbane: AI and Digital Collections <- video link
(State Library of Queensland, 2021)
Outside the Box: Transferable GLAM Skills
(AMaGA Emerging Professions National Network, 2021)
Libraries and Artificial Intelligence
(ALIA Information Online Conference, 2021)
VR Webinar: Museums and Mixed Reality
(University of Melbourne, Seeing Double: The Multiple Worlds of Virtual Reality series, 2020)
COVID-19 Audience Outlook Monitor: Online Engagement <- video link
(Australia Council for the Arts, webinar, 2020)
Before You Launch: Arts and Culture Organisations and Digital Capacity
(Create NSW, online, 2020)
Interrogating Sydney’s Cultural Data
(GLAMSLAM, Sydney, 2020)
Cultural Heritage, Art and Technology
(19th Biennial Copyright Law & Practice Symposium, Sydney, 2019)
The Museum Program and the Survival of the Future
(Australian Museums and Galleries Association Keynote, Alice Springs, 2019)
Are we Designing the Designers our Future Needs?
(REMIX, Sydney, 2019)
Museums with friends: Using digital to create social, playful experiences
(MuseumNext, Sydney, 2019)
Art, Creativity, Ethics, and Artificial Intelligence
(MOVE Symposium, Sydney Design Week, 2019)
Blockchain for Museum
(Museum Computer Network Conference, Denver, U.S.A., 2018)
Location-aware content: What does it take?
(COMPASS Conference, San Francisco, 2018)
Our Digital Future
(Digital Directions, Canberra, Australia, 2018)
Strategies for Digital / Content / Experience at SFMOMA
(REMIX, New York, U.S.A., 2018)
On Museums, Digital and Time <- video link
(National Digital Forum Keynote, Wellington, New Zealand, 2017)
Digital, Design and Storytelling
(City Gallery Wellington, New Zealand, 2017)
Museum Mean Tweets <- video link
(Museum Computer Network Ignite, Pittsburgh, U.S.A., 2017)
How SFMOMA made it’s audio-first, location aware app <- video link
(MuseumNext Keynote, Melbourne, Australia, 2017)
#MCN50 Voices Keir Winsmith & Ed Rodley <- video link
(Museum Computer Network video chat, YouTube, 2017)
Art + Data: Building the SFMOMA Collection API
(Museums and the Web, Chicago, 2015)
Organising for Change & Change in Organisations <- slides
(Museums and the Web, Chicago, 2015)
Mediated Experiences: Technology and Art Today
(South by South West, Austin, 2015)
Is it Global?
(SFAQ, San Francisco, 2015)
URL Meets IRL (with Electric Objects) <- video link
(Grey Area Theater, San Francisco, 2014)
Open systems, loosely coupled: Creating an integrated museum eCommerce system for the MCA
(Museums and the Web, Portland, 2013)
How digital projects extend the reach of museum collections <- video
(Design Fridays, Sydney, 2012)
